This article examines the use made in Brian Friel's play Living Quarters (1977) of Greek tragedy, and in particular of Euripides' Hippolytus (428 B.C.). The article discusses the character Sir in detail, and examines how ...
Soil micromorphology was among the approaches used to explore site formation in
two cave sites in northern Luzon: Eme and Dalan Serkot Caves. Interplay of biogenic,
sedimentary, and anthropogenic processes worked and ...
Miller, Ian(Cambridge University Press, 2012-10-24)
The activities of Irish medical practitioners in relieving the impact of the Irish Famine (c.1845–52) have been well documented. However, analysis of the function of contemporary medico-scientific ideas relating to food ...
Since Booij (1994, 1996) it has become increasingly clear that inflectional morphology can take part in lexeme formation and compounding. Booij (1994) recognized the need for substantive constraints on the ways inflection ...
Daly, Aoife(University College Dublin. School of Archaeology, 2011-09)
Marie Curie funded project: Chronology, Culture and Archaeology, based at the School of Archaeology, University College Dublin. In this report the dendrochronological analysis of eight oak samples from a shipwreck found ...
At the spring tides, during the summer of 2011, a team from the School of Archaeology, University College Dublin, made several research trips to a complex of medieval fishweirs at a location close to Boarland Rock on the ...
This article argues that the ending of Euripides' play Ion is the result of an interaction between the plan of the god Apollo and the reactions of the human characters Creusa and Ion, and that the result is better than it ...
Warren, Graeme(University College Dublin. School of Archaeology, 2008)
This report provides a retrospective review of research carried out in Belderrig, North Co. Mayo from 2004-2008 and primarily funded via the National Committee for Archaeology of the Royal Irish Academy and with support ...
In this paper I examine how Filippo Tommaso Marinetti transformed his three-act drama Poupées Électriques (1909) into a one-act Futurist sintesi Elettricità (1913). Through the analysis of draft versions of Elettricità and ...
This article posits the notion of Kristevan abjection as a useful interpretative category for representations of the feminine in Marinetti's writing and in the works of some Futurist women writers